Bendigo v Ben Caunt 1845

The much anticipated third and final bout between Bendigo and Ben Caunt took place on 29th September 1845. The location was in a field close to Sutfield Green, beyond Lillington Level, in Oxfordshire. The site is now part of Milton Keynes in Buckinghamshire, close to the A5 Watling Street at Stony Stratford.

Here is how the Nebraska State Journal reported on the end of the fight.

Both fighters came to the centre jauntily for the ninety-third round, which was to prove the last, and, incidentally, to turn loose a controversy never quite decided.

Caunt set the pace and pitched in right and left forcing Bendigo to the ropes, where he hung. He scrambled up, when Caunt hit him down again. The champion now repeated a mistake which he had made earlier in the fight believing that Bendigo was down for good and the round therefore at an end. He turned his back and walked for his corner. Bendigo got up and rushed in pursuit. Caunt saw him coming and deliberately sat down. Instantly Bendigo’s friends claimed the decision for him on a “foul.” Declaring Caunt had fallen before being struck, The referee decided that such was the case and rendered the decision, carrying title, stakes and belt, to Bendigo.

So ended the only famous battle of a period which added little to the reputation of the sport. The decision was hotly attacked. It was said that Bendigo had no right to rise again and that Caunt sat down to escape being surprised or taken at disadvantage until “time” was called again. It was openly charged that the referee had been intimidated by the cudgel bands about the ring. No precise settlement of the question was ever reached, but the decision stood reflecting no particular credit upon either contestant. Caunt was undoubtedly the stronger at the end, but his utter inability to land a decisive blow left the ultimate result of a finish fight a question.

Disputed Result

Some writers described the fight as ‘the most scandalous brawl in boxing history’.

Following the fight Tom Spring (a supporter of Caunt) challenged the result and thereby, questioned the integrity of the referee.

Spring retired as a fighter in 1824 and became landlord of the Castle Inn at Holborn in London. It was there that he became a respected promoter of the sport. He arranged the patronage and contracts of many of the major boxing events of the period, while overseeing fair play in the ring.

Tom Spring was a formidable boxer himself, nicknamed ‘Light Tapper and known for his strength of character, courage and skill in the ring.

Born in Herefordshire in 1795, he boxed locally and in 1814 met the legendary champion Tom Cribb. Cribb was impressed by Spring’s prowess, and persuaded him to go to London under his patronage; this was the beginning of Spring’s boxing career.

The referee though, was no other than George Osbaldeston an English politician who served as MP for East Retford.

Known as The Old Squire, Osbaldeston was also respected as a sportsman and first-class cricketer. His integrity was being challenged for the first time.

Osbaldeston responded to Spring’s challenge in a letter to the editor of the Bell’s Life newspaper.

Sir,

An appeal having been made to me, as referee, by Mr Spring, to reverse my decision in the late fight between Bendigo and Caunt, on grounds unworthy of my consideration, I request you will confirm that decision by paying over the stakes to Bendigo, who, in my opinion, is justly entitled to them.      

It was with the greatest reluctance, and at the particular request of my friends and the unanimous solicitations of the backers of the men, that I accepted the office; but I shall always consider it one of the greatest acts of folly I ever was guilty of in my life. 

In discharging my duty I endeavoured to do justice to the contending parties to the best of my abilities and judgment; and, arriving at the conclusion I did, and now confirm, I was actuated only by a complete conviction of the justness of my decision, and not by the intimidation of the roughs, as stated by Mr Spring in his letter.

Had I been under the intimidation of the ‘roughs’ I had several opportunities of putting an end to the fight before the conclusion by foul acts on the part of Caunt. A noble lord, and several gentlemen who stood close by me during the whole fight, can corroborate this statement. I most positively deny that I stated to any one that a man going down without a blow, after he himself had treacherously delivered blows, was fair.

In no one instance, in my judgment, did Bendigo break the laws of fair fighting. I must also deny, in the most positive manner, that I ever stated to any person that I did not see the last round. I saw every round distinctly and clearly, and when Caunt came up the last round he had evidently not recovered from the 92nd. After the men were in position Bendigo very soon commenced operations, and Caunt turned round directly and skulked away, with his back to Bendigo, and sat down on his nether end. He never knocked Bendigo down once in the fight, nor ever got him against the ropes in the last round. In my opinion Caunt got away as soon as he could from Bendigo, fell without a blow to avoid being hit out of time, and fairly lost the fight.

I am, your obedient servant,

THE OLD SQUIRE.

Doncaster. Sept 1845.

18th Century Prize Fighting – Nottinghamshire

We are often asked about where Bendigo fought in and around Nottingham.

In Nottinghamshire, from what we have discovered, Bendigo fought at Sunrise Hill in Bestwood (known as Bendigo’s Ring), Wilford Hill (before the building of the cemetery), Strelley Woods and near to The Traveller’s Rest Inn on Mapperley Plains.

It is also recorded that Bendigo fought Bill Moulds (known as Winterflood) in Bulwell Forest in October 1833.

As his fame and reputation grew, his fights were arranged further afield. We know he fought at Chapel-en-le-Frith in the Peak District, Selby in Yorkshire, Oxfordshire and Mildenhall in Suffolk.

A Developing Sport

Prize-fighting (or pugilism) was closely linked to both wrestling and fencing.

As the sport developed in England, it was one of the first to have a written code of rules, from 1743. Crowds of up to 10,000 would walk long distances to see a fight.

Prize-fighting was patronized by the nobility and huge sums were gambled on fights. In 1786 the Duke of York and the Prince of Wales were among the biggest gamblers.

These events took place in the open air and often organised on private estates. The precise location was often chosen by the nature of the landscape, using the contours of the land to create a natural amphitheatre to allow for spectators.

Thomas Parkyns and Bunny Park

In Nottinghamshire, Sir Thomas Parkyns of Bunny in Nottinghamshire was an enthusiast of prize-fighting. He used his land for an annual wrestling match since the early 1700s.

Sir Thomas Parkyns even published an early account of boxing in 1713. He even practised the techniques he described. It was a manual of wrestling and fencing, Progymnasmata: The inn-play, or Cornish-hugg wrestler.

The objective of Cornish wrestling is to throw the opponent and cause them to land as flat as possible on their back. Each of the wrestlers wears a ‘jacket’ of tough make and material, enabling them to better grip their opponent. Grabbing of the opponent’s or your own arms, wrists or fingers is forbidden as well as holding below the waist.

Several prize-fighters have also taken part in Cornish Wrestling, including Tom Molyneaux the American former slave came to England in 1809 and fought from 1810 to 1815. He famously fought Tom Cribb, the then Champion of England. He then toured Scotland and Ireland where he died at Galway Ireland in 1818, aged 34.

Parkyns recommends to his readers throwing contentious persons over their heads, with practical instructions. In the course of the work he acknowledged obligations to Isaac Newton, for his lectures at Trinity College, to Mr Cornish, his wrestling master at Gray’s Inn.

Parkyns annual wrestling match in Bunny Park included many of his servants who had beaten him in bouts. The competition that he founded continued in Bunny Park until 1810.

On his death in 1741, Parkyns was buried in the chancel of Bunny Church, where there a figure of him was in the act of wrestling. It is now by the north wall of the church, following the restoration of it in 1912.

Sir Thomas Parkyns (1664–1741) of Bunny, in a wrestler’s stance. He designed and built his own monument for St Mary the Virgin Parish Church in Bunny.

Photo credit https://tonyshaw3.blogspot.com

Bendigo And The Castle

When we raise a statue to Bendigo in Nottingham, we will have to decide on a suitable location. What about Nottingham Castle?

Bendigo was afterall, a Nottingham man through and through. He never left the town, other than to pursue his fighting career. His name may have reached every continent in the world, but Bendigo stayed in Nottingham, amongst his own people.

Nottingham Castle, though, may not be the ideal location for a statue of Bendigo. Why?

A Symbol of Oppression

Quite simply, the castle did not represent Bendigo’s people. His people were those who lived in its shadow, downtrodden, uneducated and poor.

As a child, Bendigo would have known about the simmering unrest in the disease ridden streets of Nottingham. He would have known that the Duke of Newcastle had moved away from his palace at the castle. The last Great Ball there had been held in 1776 and the Duke was now living his privileged life at Clumber Park. 

Throughout Bendigo’s adult life, it was nothing more than a burnt out shell of a building, having been destroyed during riots in 1831. It was a symbol of the social injustice of the time, a symbol of oppression on the hill. 

The castle was actually burning on the morning of Bendigo’s 20th birthday on 11th October 1831.

The riots had begun when news reached Nottingham that the Duke, Henry Pelham Clinton had opposed electoral reform, thereby keeping the power in the hands of the rich. Having stormed the building, the rioters stripped it of the remaining furnishings, destroyed statues and lit a great fire in the basement that destroyed the entire building. Bendigo would have been part of the crowds that watched as the palace lit up the sky like a giant bonfire.

Nottingham Castle in Ruins

As if to confirm his attitude to the town of Nottingham, the Duke left the ruins un-repaired for 45 years, until the Town Corporation stepped in.

During this period Bendigo’s career as a prize-fighter took off, undefeated in 21 matched fights up to 1850.

Following his retirement, a portrait of Bendigo was painted  by Thomas Earl. This fantastic piece, painted with oil on canvas is now held by the National Portrait Gallery in London,

The Castle Museum

In 1875, architect T.C. Hine was tasked with renovating Nottingham Castle and turning it into a Museum of Fine Art. This work was completed in 1878 and the Castle became the first municipal museum of art in the country.

The curator was a man named George Harry Wallis, who wanted the museum to inspire the creative and curious imaginations of the people of Nottingham.

Bendigo died in 1880 and we don’t know whether he visited Nottingham’s new Museum of Fine Art. It is ironic that the museum could have displayed that portrait of Bendigo. Maybe it did.

Maybe it should be loaned back to the Castle Museum. So it can inspire the ‘curious imaginations of the people of Nottingham’ again. 

Bendigo Makes A Visit

Either way, we will finish by sharing some images of Bendigo at the castle. We took him (well our small statue of him) there when the castle reopened in June 2021.   

John Thompson (Bendigo’s Brother)

John Thompson was born in 1809 and two years older than William. 

Whilst we don’t know much about him, we know he remained in Nottingham. He never married, nor did he have children that we know of. 

We do know that he was an optician with a premises on or near Glasshouse Street in Nottingham.

Bendigo seems to have had a good relationship with his brother. In his interview with James Greenwood in 1872 he said:

When my uncle died – an optician he was, and left us his stock-in-trade and his tools – I says to my brother, You take the lot, and allow mother six shillings a week on my account like, and so he did. And I used to buy the old lady her winter clothes, and he bought her her summer clothes, and so she did pretty well until she died at eighty-three.

Bendigo in 1872

John Thompson died in 1873 at the age of 64. He was buried in Nottingham’s Church (Rock) Cemetery, on his own in plot No 1292. 

The numbering of the plots at the cemetery is quite haphazard and some plots are not easy to find.

Church Cemetery, also known as Rock Cemetery, is a Grade II listed site at the south-east corner of Forest Recreation Ground in Nottingham. It was created around an old sand mine and some of the mine tunnels give the place a unique atmosphere. It was founded in 1848 but did not open until 1856. A church was included in the design, which gave the cemetery its name, but this was not built at the time of its opening. The construction works involved the removal and relocation of some 20,000 tons of earth and the laying out of paths and suitable planting including Cedars of Lebanon.

Thanks to the team at Nottingham City Council (Parks and Cemeteries Department), we joined them to look around the site. The tour was titled Rock Cemetery Catacomb Tour and is well worth a visit. The bonus for us was that we finally discovered the grave of John Thompson.

It was very much overgrown and 150 years of nature has added to its character.

Here are some images for you. 

How to find the grave

Here is the map of the cemetery with Select Site C marked

Here’s a plan showing Plot 1292 within Select Site C

Bendigo Exhibition

Exhibition To Celebrate ‘Bendigo’

The Bendigo Heritage Project has teamed up with Cafe Sobar on Friar Lane to exhibit a number of images and artwork that promote the importance of Bendigo to the City of Nottingham. 

Visitors to Cafe Sobar can now see a variety of items collated by the project since they formed in 2016. There are photographs, some pieces of modern art and memorabilia. It is hoped that the display will stimulate interest in the story of Nottingham’s first sporting superstar.

It will also highlight the work of Café Sobar as an innovative alcohol-free cafe and social space in Nottingham city centre.

William Thompson (known as ‘Bendigo’) was a 19th century boxer who fought 21 times between 1831 and 1850. He went on to become the undefeated Champion of England and is credited with introducing the ‘southpaw’ boxing stance. 

Shortly after his retirement, his mother died and Bendigo developed a problem with alcohol. This led to a number of arrests, behaviour that tarnished his reputation for a number of years.                                                                                                                         

His life had to change and the moment came when he attended The Mechanics Institute to hear a talk by a preacher named Richard Weaver. Bendigo joined Weaver’s revivalist church and he also preached the sermon to congregations up and down the country. His conversion was written about in various publications, including a well known poem titled Bendigo’s Sermon by Sir Arthur Conan Doyle.   

Alan Dawson, trustee of the Bendigo Heritage Project said: 

We are keen for the public to see the items that we have collated, and Cafe Sobar is an ideal venue. It is a supportive network that gets people back into a positive lifestyle, something that wouldn’t have been available to Bendigo. Our gallery of items is not extensive but there is a variety of Bendigo related imagery to get people’s attention.  

Alan Dawson

Jason Loftus, the general manager at Cafe Sobar said: 

“Café Sobar and its parent charity Double Impact are honoured and excited to be in partnership with the amazing Bendigo Heritage Project. There are so many parallels with the life of this Nottingham legend and our own social mission. This partnership is the perfect fit for us to spread the legend of Bendigo and the transformative message he shared even further.”

Jason Loftus

A preview evening was held to allow supporters of the project to see these previously unseen items.

The free exhibition will run from Saturday 3rd February to the 1st April. It will be accessible during normal opening times at Cafe Sobar. 

Ukrainians Welcomed to Nottingham

We have recently offered our guided tour to families who have arrived in Nottingham from the war in Ukraine. It is the least we can do to welcome them to Nottingham. We have adapted our tour to include details of modern Nottingham, but still managed to tell The Bendigo Story.

Welcome to Nottingham

Ukraine has of course produced some of the best heavyweight fighters in recent years. Vitali Klitschko and Wladimir Klitschko were in their prime between 2004 and 2015. Then there is Usyk, who is due to fight Anthony Joshua again later this year.

The Guinness World Records show the Klitschkos as the pair of brothers with most world heavyweight title fight wins.

Vitali retired from boxing in 2013, relinquishing the WBC world title, and became a politician. He is now the the mayor of Kyiv. Wladimir successfully defended his titles before losing to Tyson Fury in 2015. Both brothers hold doctorates in sports science and speak multiple languages.

Our Ukrainian guests seemed to enjoy the wonderful buildings and the sporting heritage that Nottingham has to offer. They were shown the Motorpoint Arena and interested to learn that another Ukrainian boxer fought there in 2005.

Andry Kotelnik is from Lviv in Ukraine and had a very successful fourteen year career, winning and retaining the WBA Super lightweight title. His visit to Nottingham in 2005 ended in a rare defeat for him, losing to Junior Witter after 12 rounds and by Unanimous Decision.

Kotelnik went on to winning the world title and successfully defended it three year later in Cardiff, against Gavin Rees in his home town. Kotelnik sensationally won in the twelfth round by a stoppage.

The circumstances of our Ukrainian friends is an awful situation, but we hope that their stay in Nottingham is a positive one, until it is safe for them to return.

Our Ukrainian guests at the Bendigo memorial

We have also offered our Welcome to Nottingham tour to other refugee groups in Nottingham.

New Civic Plaque For Bendigo

Legendary Prize-Fighter ‘Bendigo’ is known to have a strong association with the Forest Tavern in Nottingham. He was close to the landlord John Ellis, who supported him in his career and beyond. The building now has a plaque installed in his memory, thanks to funding by Nottingham Civic Society.

The unveiling was conducted by the Sheriff of Nottingham, Cllr Nicola Heaton, who spoke about Nottingham’s sporting heritage and the importance of Bendigo to it.

Cllr Nicola Heaton unveiling the plaque

In the 1830s, the Forest Tavern would not have been surrounded by housing, as it is now. It would have had a rural feel to it. The location had until then been known as a place of public execution and was also a turnpike. There were even a dozen windmills along what is now Forest Road, taking advantage of the hilltop location. The Forest Tavern was one of the first properties built along that stretch of Mansfield Road, before the Enclosure Act allowed Nottingham to expand. The Rock Cemetery was created in 1845 and St Andrews Church in 1871.

Alan Dawson of the Bendigo Heritage Project said:

‘We know that the first proprietor of the Forest Tavern was a Londoner named John Ellis. It seems he was a close friend of Bendigo. In addition to allowing the tavern as a base for him to train, it was also used to exhibit his cups and belts. John Ellis was also on the committee that organised and funded the lion memorial over Bendigo’s grave. It’s an important part of the Bendigo story.’

Jevon Patrick of the Bendigo Heritage Project said:

We are really grateful to the Nottingham Civic Society for supporting us and in recognising Bendigo’s contribution to our city. The building is no longer a pub but it has been tastefully maintained in keeping with the Arboretum Conservation Area. The plaque will be a constant reminder to people using the busy Mansfield Road. We have specifically chosen a blue plaque to represent the colour that Bendigo used at his fights, ‘Bird’s Eye Blue’.

Funding for the plaque has been provided by the Nottingham Civic Society.

Hilary Silvester Chair of Nottingham Civic Society said:

Nottingham Civic Society is delighted to be joining with the Bendigo Heritage Project, to celebrate and commemorate Nottingham’s 19th Century sporting hero, William Thompson, nicknamed Bendigo. For a number of years, it seems, he was largely forgotten, so it is good that he once more has an enthusiastic band of followers. We congratulate them on their achievements on Bendigo’s behalf, and wish them well in their future work to publicise the city’s Victorian pugilist.’

Hilary Silvester

Ian Wells of the Nottingham Civic Society also spoke about why they wanted to support us in keeping the Bendigo story accessible to future generations.

The event also welcomed Nottingham’s rising star, welterweight boxer Ekow Essuman. Ekow was joined by his Nottingham trainer Barrington Brown. It was great to see passers-by stopping to acknowledge Ekowe, whose last fight was at Wembley Stadium in April whne he retained his British, Commonwealth and European titles against Darren Tetley.

The Sheriff of Nottingham with Ekowe Essuman and Barrington Brown

We were also joined by Colin Wilde and Gaz Peacham, from Castle Rock Brewery. Castle Rock owned the building of the Forest Tavern until its closure a few years ago.

Gaz Peacham and Colin Wilde for Castle Rock Brewery

Cassius Clay at Nottingham Ice Stadium

In our guided tour, we visit Bendigo’s grave and then Sneinton Market, where we pause to talk about Nottingham after his death. Most professional boxing in Nottingham took place at the nearby Victoria Leisure Centre or the Ice Stadium. Did you know that Cassius Clay was there in 1963?

He didn’t fight there but we’re proud to say he came to a night of boxing in Bendigo’s town. We found this story by Ethan Lewis and are grateful for the image too.

On the 27th of May 1963 my father, aged 15 at the time, met Cassius Clay at the Victoria Hotel in Nottingham (now the Hilton Hotel). He also obtained his autograph (pictured below).

Ethan Lewis

Cassius Clay was also photographed with two well-known Nottingham Police Officers. PCs Geoff Baker and Denis ‘Tug’ Wilson were both about 7 feet tall in their boots and helmets.

Cassius Clay standing 6’3 with Pcs Baker and Wilson

Clay was in the city to watch the British Middleweight Title fight between George Aldridge and Mick Leahy. This was prior to Clay’s fight with Henry Cooper at Wembley.

The Aldridge v Leahy fight was for the British Middle Weight Title and took place on 28th May at the Nottingham Ice Stadium. It lasted just 1 minute 45 seconds. The referee Ike Powell stopped the fight after Aldridge was knocked down twice, Leahy winning on a Technical Knockout.

Leahy’s career spanned nine years between 1956 and 1965. The orthodox middle weight lived in Coventry but hailed from Cork, Ireland. It wasn’t the first time Leahy had fought at Nottingham’s Ice Stadium. He faced Nottingham’s Wally Swift there in December 1964. The promoter was Reg King and again the British Middleweight titel was up for grabs. It went the full 15 rounds with Swift winning on points.

George Aldridge was a middle weight from Market Harborough in Leicestershire. His career of 52 professional bouts was between 1956 and 1963.

“Ask no questions, I’ll just talk”

Back to Cassius Clay and the Victoria Hotel press-conference. Clay said to the press ‘Ask no questions, I’ll just talk’.

In true style, Clay predicted that he would beat Cooper in the fifth round. He was right.

Clay also described that Sonny Liston was an ‘ugly bear’ who would ‘fall in eight’.

Clay and Cooper met on the 18th June 1963 at Wembley Stadium, the referee was Tommy Little.  Despite knocking Clay down in the 4th round, the fight was stopped in the next round due to cuts suffered by Cooper. Cooper fought him again (as Mohammed Ali) in 1966 and that fight was also stopped for the same reason.

Clay was nearly right about his fight with Sonny Liston, which took place the following February in Miami. Liston retired in the sixth round, claiming a shoulder injury.

Cassius Clay (as Mohammed Ali) returned to Nottingham in 1992. This time it was for a book signing event, at Dillon’s bookshop in the town centre.

Thanks as always to BoxRec for the records of the boxers and their fights.

Bendigo On The Big Screen

We have always thought The Bendigo Story would make it to the big screen. Well now it has. Well sort of.

Bendigo gets ‘name checked’ and even appears in one scene of a new film alongside another boxing great named Jem Mace:

The Electrical Life of Louis Wain.

The film depicts the true story of eccentric British artist Louis Wain (Benedict Cumberbatch). Wain became famous with creating playful, sometimes even psychedelic pictures of cats. Moving from the late 1800s through to the 1930s, it follow the incredible adventures of this inspiring, unsung hero, as he seeks to unlock the “electrical” mysteries of the world and, in so doing, to better understand his own life.  

Directed by BAFTA award-winning Will Sharpe. Story by Simon Stephenson, screenplay by Simon Stephenson and Will Sharpe.  

The story starts in 1881.

This immediately rules out Bendigo from being personally involved, but who cares.

This is the cinema and if a film about a true 19th century character wants to acknowledge that Bendigo was the biggest name in boxing, then so be it.

Bendigo Supporters

In Scene 9, Louis Wain is is seen sparring with James “Jem” Mace (1831 – 1910). Mace’s fighting career actually started in the 1850s, after Bendigo had retired.

They could though have sparred together though. At the height of his career, Mace won the English Welterweight, Heavyweight, and Middleweight titles. Like Bendigo, he was considered one of the most scientific boxers of the era. Most impressively, he held the World Heavyweight Championship from 1870 to 1871 while fighting in the United States.

The scene in the film describes them sparring at Mace’s boxing gym in London. It is known that Mace trained in London at Nat Langham’s Rum Pum Pas boxing club.

Here is the script from two scenes in the film. Taken from Amazon Studio Guilds

Scene 9 – JEM MACE’S BOXING GYM, LONDON – DAY 

SMACK! WALLOP! LOUIS is suddenly boxing. A SKETCH of the famous boxer BENDIGO – hangs on the wall. LOUIS keeps throwing himself at a much bigger SPARRING OPPONENT.

THWACK! LOUIS falls onto his back and starts laughing.

JEM MACE

Alright, Wain, that’s enough. You’ll be late for your meetings…

LOUIS

Let me have one last crack at him!

LOUIS dizzily wobbles back to his feet, jiggling about in a febrile dance. OTHER BOXERS, both men and women, enjoy this.

LOUIS (CONT’D)

The Bendigo Shuffle! Come on, you big brute. Give me your best shot!

THE BIG BOXER thinks about it for a second. Then – THWACK!

‘The Bendigo Shuffle’? We like the sound of that.

The next scene actually features Bendigo

Scene 100 – EXT. BOXING TENT, LONDON – DAY (1886)

TWO FIGHTERS do battle – the huge JOURNEYMAN and the sprightly BENDIGO, who has a weird, cheeky charisma, bouncing about and making up insulting rhymes to put off his opponent.

LOUIS

Go on, Bendigo!

RAILTON

Curious little fellow, isn’t he.

BENDIGO is doing a dance – like LOUIS’ own eccentric boxing dance – pulling silly faces at the JOURNEYMAN. FLASH PHOTOGRAPHERS huddle to take shots. LOUIS and RAILTON sit ringside. LOUIS is trying to draw BENDIGO.

LOUIS

But he’s electric, Herb. Look how his fancy all adore himHalf his opponent’s size but he knows how to harness the electricity of the crowd… look, see! There it is.

FLASH! POW! WAPOW! FLASH! FLASH!

RAILTON

Are you talking about the photographers?

LOUIS

No, Herb. Look properly. The electricity. Finally, I feel like I’m starting to understand it. In fact I have a hypothesis that electricity is what pushes us through time. And if I can find a way to conduct and divert electricity with more accuracy, I could, in theory, experience the past as if it were no different to the future…

Have you seen the film?

Let us know what you think.

James ‘Jem Mace

More Than a Statue Appeal

You may have noticed we have changed our ‘trading name’ to The Bendigo Heritage Project.

At a recent meeting, we reviewed the objectives of our campaign and also the individual roles of the trustees.

We realised the project has developed into something wider than a statue appeal. It has become a broader heritage project. Whilst the ultimate goal is to commission a prominent statue of Bendigo in Nottingham, the project is an ongoing celebration of Bendigo’s life and achievements.

We want all visitors to Nottingham to be aware of The Bendigo Story, whether they are from the area, tourists, on business. or visiting for another event.

Alan Dawson – Trustee of The Bendigo Heritage Project

To ensure this, the project now includes:

Guided Tour – Publications – Merchandise – Establishing an Archive of Images and Items – Exhibitions and other events – Ensuring that the Local Authority Celebrate The Bendigo Story at every opportunity (Using Civic Plaques and Signage).

We hope you will continue to support us in any way you can.

Here’s a couple of items we have obtained for our collection:

Bendigo – Antique Aquatint by Charles Hunt. London. Published April 10, 1846 by J. Moore.

Home Brewery bottle label c 1970